WHY DO AGENTS REJECT ON PAGE ONE? ANSWERS…

Here is a list of things that cause agents to reject your manuscript on page one from Writer’s Digest by Chuck Sambuchino. It’s not the complete list; a teaser with the link to the actual article at the bottom. This was great for me. I hope it is for you as well.

FALSE BEGINNINGS

“I don’t like it when the main character dies at the end of Chapter 1. Why did I just spend all this time with this character? I feel cheated.”
Cricket Freeman, The August Agency

“I dislike opening scenes that you think are real, then the protagonist wakes up. It makes me feel cheated.”
Laurie McLean, Foreword Literary

IN SCIENCE FICTION

“A sci-fi novel that spends the first two pages describing the strange landscape.”
Chip MacGregor, MacGregor Literary

PROLOGUES

“I’m not a fan of prologues, preferring to find myself in the midst of a moving plot on page 1 rather than being kept outside of it, or eased into it.”
Michelle Andelman, Regal Literary

“Most agents hate prologues. Just make the first chapter relevant and well written.”
Andrea Brown, Andrea Brown Literary Agency

“Prologues are usually a lazy way to give back-story chunks to the reader and can be handled with more finesse throughout the story. Damn the prologue, full speed ahead!”
Laurie McLean, Foreword Literary

EXPOSITION/DESCRIPTION

“Perhaps my biggest pet peeve with an opening chapter is when an author features too much exposition – when they go beyond what is necessary for simply ‘setting the scene.’ I want to feel as if I’m in the hands of a master storyteller, and starting a story with long, flowery, overly-descriptive sentences (kind of like this one) makes the writer seem amateurish and the story contrived. Of course, an equally jarring beginning can be nearly as off-putting, and I hesitate to read on if I’m feeling disoriented by the fifth page. I enjoy when writers can find a good balance between exposition and mystery. Too much accounting always ruins the mystery of a novel, and the unknown is what propels us to read further.”
Peter Miller, PMA Literary and Film Management

“The [adjective] [adjective] sun rose in the [adjective] [adjective] sky, shedding its [adjective] light across the [adjective] [adjective] [adjective] land.”
Chip MacGregor, MacGregor Literary

“I dislike endless ‘laundry list’ character descriptions. For example: ‘She had eyes the color of a summer sky and long blonde hair that fell in ringlets past her shoulders. Her petite nose was the perfect size for her heart-shaped face. Her azure dress—with the empire waist and long, tight sleeves—sported tiny pearl buttons down the bodice. Ivory lace peeked out of the hem in front, blah, blah.’ Who cares! Work it into the story.”
Laurie McLean, Foreword Literary

STARTING TOO SLOW

“Characters that are moving around doing little things, but essentially nothing. Washing dishes & thinking, staring out the window & thinking, tying shoes, thinking.”
Dan Lazar, Writers House

“I don’t really like ‘first day of school’ beginnings, ‘from the beginning of time,’ or ‘once upon a time.’ Specifically, I dislike a Chapter 1 in which nothing happens.”
Jessica Regel, Jean V. Naggar Literary Agency

Are you hooked yet??? Head on over to http://writerunboxed.com/2013/04/22/april/?et_mid=614266&rid=234764624 to read the list in its entirety.

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WHY DO AGENTS REJECT ON PAGE ONE? ANSWERS…

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